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W.B.イェイツと大江健三郎の揺れ動く想像力
http://hdl.handle.net/11316/00001498
http://hdl.handle.net/11316/00001498651945b8-a8c9-46c3-9b53-a821f83daf85
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2020-07-14 | |||||
タイトル | ||||||
タイトル | W.B.イェイツと大江健三郎の揺れ動く想像力 | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
その他(別言語等)のタイトル | ||||||
その他のタイトル | The Vacillating Imagination' seen in W. B. Yeats's Poetry and Kenzaburo Oe's Novels | |||||
著者 |
木原, 誠
× 木原, 誠 |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | W. B. Yeats is a poet very much in the line of the English Romantics, for whom what matters most in poetry is the imagination, because they think that without it poetry is impossible. What we call 'the Romantic imagination' seems to have inherited primarily from Plato's idea on the imagination; his idea is that the imagination is a kind of power of memorizing the ideal world before our souls passing over, Lethean River - anamnesis. For him it would be the Joyful Memory of Past, which Wordsworth calls 'Surprised by Joy'. Unfortunately, however, in the Romantic poetry the Platonic Memory would not be described so clearly and so often, because 'the Covering Cherub' some remorse or the negative memory of Freudian past would block the imagination; they had suffered from what would be equated with self-contempt, which destroys the imagination; they had struggled with it as an ultimate antagonist to the Romantic imagination. Yeats as the last Romantic had wished for his proccessor's imagination, having suffered from the same negative stuff. But his poetic unique is that he not only had accepted his own remorse, the negative power to the imagination as his fate, but also had been willing to take advantage of it as a creative and positive power. It would be a single characteristic that differentiates his imagination from the English Romantics's one. It would be what made Kenzaburo Oe feel spiriitual affinity with him and move so much enough to write a 'trilogy', entitled 'A Flaming Green Tree', which is indebted for this title to a stanza from one of Yeats's important poems, 'Vacillation'. (He even calls himself 'a humble follower of Yeats'.) Oe is the novelist who attaches the importance to the imagination, though this attachment comes from the different sources from the English Romantics. He as well as Yeats has suffered from the negative memory which blocks the imagination. It is supposed that he has found the great way to live with the remorse, as 'a friend of his life' in Yeats's poetry. The purpose of this paper is to make clear how Oe has accepted Yeats's way to deal with it through analyzing 'Vacillation' and his trilogy. | |||||
書誌情報 |
久留米大学外国語教育研究所紀要 en : Bulletin of the Institute of Foreign Language Education Kurume University 巻 4, p. 131-150, 発行日 1997-03-31 |
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出版者 | ||||||
出版者 | 久留米大学外国語教育研究所 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 1340-6175 | |||||
書誌レコードID(NCID) | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN10448406 | |||||
論文ID(NAID) | ||||||
識別子タイプ | NAID | |||||
関連識別子 | 110007150772 |